Music And Its Impact On Modern Society - 1470 Words

Until now the process for adapting a novel into film has been applicable to opera. There are still several factors separating the two. While it is only briefly necessary to cite a few of the obvious- varying differences of scale, projection of sound, and extreme variation of natural setting versus constructed set - truly, the most important of these factors is the musical score. In film, music takes the shape of sound effects or background accompaniment. It is also commonly added to pre-recorded footage creating an atmosphere or mood. Music may link scenes together, portray the true nature of certain characters, or serve as an indicator in foreshadowing or approaching disaster. There are essentially no rules when it comes to film music†¦show more content†¦Unlike film, it is not enough to remove a difficult dialect or translate the text of the novel into the vernacular. The spoken text must be available for manipulation into lines of melodic passion and purpose. It must propel the action of the plot forward while matching the mood of the character and music of the score. Furthermore, it must be simple yet important enough to draw the attention of the audience from the music and the spectacle of the opera around it. In accordance with the guidelines described above, the following information will assess the effectiveness of two novels, which served as inspiration for both film and opera adaptations. The first novel is a classic of English literature from the middle 19th century. Wuthering Heights by Emily Brontà « was initially considered controversial for clearly challenging Victorian ideals of the day. This included the exploration of social classes, gender inequality, morality, and religious hypocrisy. In addition, provocative themes of mad love and violence, in the passionate affair between the two main characters, make the novel ripe material for an adaptation. There are two main characters up for analysis, Heathcliff and Catherine. Though Catherine is a large focus of the novel, she is not the empathic protagonist. She is, in a mild way, an antagonist to Heathcliff. She is a wild, selfish woman who has grown up getting